As Beautiful As Any Other | The Saturday Paper

I reviewed Kaya Wilson’s memoir, As Beautiful As Any Other for The Saturday Paper. Really appreciated having the space to think deeply about this book and the transition memoir as a growing genre.

‘Trans people are under immense pressure to present a coherent and palatable origin story that helps cis people make sense of us – even when we are not seeking medical treatment, we are treated by laypeople as if presenting to them for diagnosis. We are supposed to be intelligent, untroubled, sympathetic and reassuring.’

The Saturday Paper book review graphic showing the cover of Kaya Wilson's As Beautiful As Any Other

Antipodean China | InDaily & Writers SA

Plenty of ink and pixels have been spilled over the fraught relationship between Australia and China lately, so Nicholas Jose and Benjamin Madden’s anthology, Antipodean China: Reflections on Literary Exchange, would appear to be a timely intervention in a conversation that is rife with misreadings and illiteracy. Read my review in InDaily, part of Writers SA’s review series.

Cover of Antipodean China showing author names and an red papercut map-like image by John Young

Remembering Ahbu on IWWD

Me and Ahbu.

It’s International Working Women’s Day today, which means my grandmother would’ve turned 92 next week. She died in December. Her life (1929-2020) spanned nearly 100 years of immense upheaval in China and she survived it all with resilience, dignity and optimism. I wrote a thread remembering her – first on Twitter, and then republished in Chinarrative. Read below.

Continue reading “Remembering Ahbu on IWWD”

Eating with My Mouth Open | The Saturday Paper

I grew up thinking there were seven fundamental flavours: suān, tián, kǔ, là, xián, xiān, má. The first five translate easily – sour, sweet, bitter, hot, salty – but the other two don’t own a home on the English tongue. It was a shock to realise that something as material as flavour could be coloured and even erased by language. But eating has many dimensions beyond what happens in your mouth, as Sam van Zweden chronicles in this thoughtful debut, Eating with My Mouth Open.

Eating with My Mouth Open | The Saturday Paper

Ghost in the Mirror | Disobedient Daughters

I have an essay in this gorgeous publication that accompanies the Disobedient Daughters exhibition at Counihan Gallery. Edited by curator Sophia Cai and designed by Joy Li, you can order a copy through the publisher, Heart of Hearts Press.

If you’re in Melbourne, please also check out the exhibition which is on at Counihan Gallery, from 6 February to 21 March. Thank you especially to artist Meng-Yu Yan, whose work my piece riffs off.

Event: Silent Dialogue book launch

Silent Dialogue logo

There’s a book launch for Silent Dialogue 沉默的对话 tomorrow night in Collingwood if you’d like to join us in a celebration and meet some of the folks involved in the project. The book is an illustrated multilingual publication that accompanies the Silent Dialogue exhibition with images of original artworks and specially commissioned pieces of original writing by leading scholars and writers from across the country. I’ll be reading from my essay in the book, ‘We need new names’, which looks at the politics of changing your name.

Fri 5 Feb 2021
6:15 pm to 7:30 pm
Art Echo Gallery, Collingwood
free | booking required

You can also order the Silent Dialogue book here.

Not For Broadcast | The Saturday Paper

‘[Evading censorship] felt a lot like a game, actually – a futile yet addictive game that made your heart race as you tried to jump from story to story, ducking and weaving, squeezing as much as you could through an ever-shrinking space.’

For The Saturday Paper’s culture section, I wrote about reliving the anxiety and adrenaline of working as a journalist in China while playing the dystopian newsroom simulation game Not for Broadcast. Read it here.