Ellie & Abbie (& Ellie’s Dead Aunt) film review | The Guardian

For The Guardian, I reviewed Monica Zanetti’s teen romcom, Ellie & Abbie (& Ellie’s Dead Aunt), a pretty charming story of queer love – romantic, familial, and intergenerational.

‘Zanetti cleverly plays with the idea that our queer predecessors paved the way for how we live now, but as individuals can be just as bumbling and out of touch as anyone else when it comes to dealing with teenagers. We might idolise OWLs (“older wiser lesbians”) but they’re only flightless, bug-eyed humans after all.’

Sophie Hawkshaw and Zoe Terakes in Ellie & Abbie (& Ellie’s Dead Aunt). Photograph: Nixco

Walking away, backwards; or, woman-lite in women’s lit

As an AFAB nonbinary person, many feminist and women’s spaces welcome me – but often that welcome is itself a form of trans erasure, an insistence on seeing us as the genders we were assigned. I wrote about my uncomfortable relationship with feminist literary spaces for Feminist Writers Festival.

‘I’m pretty accustomed to not feeling at home anywhere – this is often a good thing, a productive tension. The can of worms fertilises the soil. But whether it’s Feminist Writers Festival, Facebook writers’ groups, or other feminist literary initiatives like the Stella Prize, I think it’s important to remember that you can’t simply tweak the category of woman to accommodate nonbinary people. Nonbinary disturbs the foundations of binary gender because it’s supposed to. It’s intentionally an interruption, a question as well as an identity.’