Voices Under Fire: Stories from Gaza

Join me at this event on 6 November to bear witness to the lives of Gazans experiencing genocide. 

For one night, we’ll come together as a community to read the poetry and first-hand accounts of Palestinians who have had to flee their homeland, those who have been martyred, and those who are still surviving the daily nightmare. All ticket sales will go to families currently in Gaza to help them buy food, medicine and other necessities.

Drawing of people speaking and reading with Palestinian flag and event details.

Voices Under Fire: Stories from Gaza
Thursday 6 November 2025
Doors open at 6:15 pm, readings start at 6:30 pm
Solidarity Hall (upstairs), Victorian Trades Hall
54 Victoria St, Carlton VIC 3053
Book here – general admission $40

Fair rates for freelancers at Nine

The CEO of Nine took home $2.1m last year while most freelancers made less than $59k.

I first wrote for The Age in 2019. I was paid about 50c per word – half the rate that the paper was paying freelancers back in the early 2000s.

Five years later – after tireless organising from freelancers and inspiring solidarity from staff – Nine claims that it now pays 72c per word as a minimum. Yet myself and all the other Good Food writers were still getting 50c per word, proving that a company’s stated minimum rates don’t mean anything unless we have a collective agreement that we can hold them to. And in any case, 72c is still well below a liveable wage.

In August last year, Nine management said they’d sit down with us after a joint strike of staff and freelancers pushed them to negotiate. Now after three frustrating meetings in which they have continually refused to negotiate anything at all, we’re coming to the public again to ask for your support.

A group of staff and freelancers on strike at The Age, July 2024.


I’m not writing for Nine anymore – I can’t afford to. But I read their coverage every day, I notice how some of the outlets’ best work is produced by freelancers, and I also see the perspectives that are missing because working-class writers can’t afford to live like this.

If you ever read The Age, SMH, AFR, Good Food, Traveller, Good Weekend, Domain, or listen to their podcasts or access anything else from Nine Publishing, please sign and share this petition to support minimum pay rates, annual increases, and a collective agreement for Nine’s freelancers.

Infographic: Freelance journos at The Age, SMH and other Nine newspapers are being paid 59% less than they were 20 years ago.

Footscray West Writers Fest

Poster for Footscray West Writers Fest in purple and yellow.

Oh hey it’s a new festival on the block! I’m doing a couple of things at the inaugural Footscray West Writers Fest, one filthy and one frugal. But which is which?

First Floor Fantasy
Saturday 29 March 2025
7:30 pm to 9:30 pm
Harley & Rose Upstairs
572 Barkly St, Footscray VIC 3012
(Please note: Access is via stairs)
Tickets $15, book here

Indulge in an evening of quickfire erotic storytelling by local authors, including Jinghua Qian, Thuy On, Rochelle Siemienowicz, Aud Pitch.

Poster for First Floor Fantasy.

Closing Night Event: Stories from the Belly of the West
Sunday 30 March 2025
4 pm to 10 pm
Harley & Rose
572 Barkly St, Footscray VIC 3012
Tickets $30, book here

Join us for the festival’s unforgettable closing night event, Stories from the Belly of the West, where six talented authors share brand-new site-specific works after taking up the most ramshackle writers-in-residence program imaginable. Jinghua Qian takes us to Savers, Emilie Collyer to Rex Hairdressing, Sam Elkin to WeFo Dog Park, Tina Cartwright to The South Road Coin Laundry, Alice Pung to Cheaper By Miles, and Rijn Collins takes us under the Westgate Bridge, with each tale offering a fresh perspective on the vibrant heart of the community. Don’t miss this celebration of place, creativity, and storytelling to mark the festival’s finale. Enjoy music from The Orbweavers during the event.

Check out the whole festival program, it’s a banger with events featuring Maxine Beneba Clarke, André Dao, Ernest Price, Liz Crash, Najma Sambul, Benjamin Millar, the students of Footscray High School, and basically all your fave westies. Amazing work from Jess, Donita and Reem!

* I buy all my leather from Savers so …

Underfoot at Collingwood Library

A grainy image of hospital beds with the words "Underfoot: The Facility" in chartreuse.

Liz and I will be chatting about anti-carceral history, Yarra Bend Park and the long-awaited second season of our podcast at Collingwood Library next week, please come join!

Underfoot: The Facility
Monday 7 October 2024
6:30 pm to 7:30 pm
Collingwood Library
11 Stanton Street, Abbotsford VIC 3066
Free, book here

ISO Temahahoi & </love> | Bleed 2024

Three people lean close to a ceramic wind instrument; each is blowing on a mouthpiece.

I recently met two artists who are currently showing at Arts House as part of Bleed 2024 and I was so chuffed to be commissioned for written responses because both their works are so relevant to my interests and predilections. I was particularly struck by how both works foreground desire and intentionality so I chose to write my responses in the style of Lex posts or personal ads, because I’m a bit obsessed with that form at the moment.

Ciwas Tahos/Anchi Lin 林安琪 is an Indigenous Taiwanese artist whose installation and durational performance work Finding Pathways to Temahahoi connects Atayal oral history with contemporary queer community. It’s very sensual and expansive. You can read my response, ISO Temahahoi, and watch our filmed artist talk here.

Jarra Karalinar Steel is a local Koori artist whose work anyone in Naarm would have seen on the Melbourne Art Tram. Her installation for Bleed 2024, love.exe, draws from video games and fandom to explore romantic love and social surrogacy in digital realms. Our artist talk is here along with my written response, </love>.

I am a bit bummed I only just met Jarra and Anchi now and not, say, on Livejournal in 2002, because I feel like we could’ve been great friends as teenagers.

Anyway if you’re in Melbourne, the installations are open until September 28 and there is also more digital work at the links above.