It’s the hour-long dysphoria soundtrack you didn’t know you needed! And me slyly moonlighting as a selector for Double J. Featuring June Jones, Jen Cloher, Janelle Monáe, Julia Jacklin and also some artists whose names don’t start with J. Read and listen here.
My audio piece for Powerhouse Museum’s Oscillations project is finally out! It’s a chewy little story about sino/trans inscrutability, visibility and representation. Massive thanks to sound and story wizard Jon Tjhia, and everyone whose voices and ideas are part of this work: Atong Atem, Oliver Reeson, Kate Bagnall and Tim Sherratt, and my glorious chorus. So proud of this. Listen here.
What does it cost to be visible? Chinese and trans people shift in and out of focus in Australia’s historical records – appearing and disappearing, code-switching, oscillating. Through the lens of turn-of-the-century portrait photography, Jinghua Qian looks at the privilege and burden of representation and the luminous power of inscrutability.
I made a short podcast about Melbourne’s Chinatown for The Hearts of the People are Measured by the Size of the Land, an exhibition curated by Olivia Koh (Recess) for Rising.
Sadly the festival is paused while Melbourne goes into its fourth lockdown so I’m not sure whether you’ll be able to see the exhibition currently, even the outdoor projections, but you can listen to the podcast in the meantime. Hoping events just get rescheduled.
In this podcast, Jinghua Qian offers a broken, bite-sized history of Chinatown and its role as the epicentre of a fractured and evolving community.
Audio samples
Nikki Lam, ‘Anchor and a Loose Thread 錨,和懸絲’, two-channel video installation, 2019. Sound design: Supina Bytol and Conor O’Hanlon.