Fair rates for freelancers at Nine

The CEO of Nine took home $2.1m last year while most freelancers made less than $59k.

I first wrote for The Age in 2019. I was paid about 50c per word – half the rate that the paper was paying freelancers back in the early 2000s.

Five years later – after tireless organising from freelancers and inspiring solidarity from staff – Nine claims that it now pays 72c per word as a minimum. Yet myself and all the other Good Food writers were still getting 50c per word, proving that a company’s stated minimum rates don’t mean anything unless we have a collective agreement that we can hold them to. And in any case, 72c is still well below a liveable wage.

In August last year, Nine management said they’d sit down with us after a joint strike of staff and freelancers pushed them to negotiate. Now after three frustrating meetings in which they have continually refused to negotiate anything at all, we’re coming to the public again to ask for your support.

A group of staff and freelancers on strike at The Age, July 2024.


I’m not writing for Nine anymore – I can’t afford to. But I read their coverage every day, I notice how some of the outlets’ best work is produced by freelancers, and I also see the perspectives that are missing because working-class writers can’t afford to live like this.

If you ever read The Age, SMH, AFR, Good Food, Traveller, Good Weekend, Domain, or listen to their podcasts or access anything else from Nine Publishing, please sign and share this petition to support minimum pay rates, annual increases, and a collective agreement for Nine’s freelancers.

Infographic: Freelance journos at The Age, SMH and other Nine newspapers are being paid 59% less than they were 20 years ago.

MEAA Members for Palestine

Today a new group of rank-and-file members of the Media, Entertainment and Arts Alliance have published an open letter standing in solidarity with Palestine against genocide.

Please read, sign and share our letter here. There’s also a link to join the union if you’re not already a member, and to follow us on socials.

Square social tile that says "MEAA Members for Palestine > Read our open letter" in black text on a white window, with a green background. A round handdrawn logo shows the Palestinian flag surrounded by the text "MEAA Members for Palestine".

Our letter has also been published today in Overland, where it stands alongside statements from artists, academics, booksellers and other groups who bear witness to the insidious and escalating censorship taking place in all areas of culture when it comes to Palestine. And of course Overland has published lots of great Palestinian writing over the years, and was the first publication in Australia to sign onto the MEAA Freelance Charter of Rights. They’ve been copping a lot of abuse for their position so please also subscribe and support Overland if you can.

The Drop-In | State Library Victoria

Super excited to announce that the State Library is supporting The Drop-In, my advice program for emerging writers.

We’re running two sessions online (one with guest cohost Arlie Alizzi, editor at Magabala and one of my fave essayists) and two onsite at SLV. Come along to pick our brains and ask all your burning questions about writing, editing, and getting paid and published!

The Drop-In is open to all, with priority for First Nations, trans/nonbinary/genderfluid and international student writers. Places are limited so register asap.

Graphic banner for The Drop-In with writer and editor Jinghua Qian. Background is yellow lined paper with graphics of scrunched up paper.

More info about how The Drop-In works here.

The Drop-In at State Library Victoria
Session 1 (Studio 1, SLV): Saturday 23 September 2023, 1:00 pm – 2:30 pm
Session 2 (Studio 1, SLV): Saturday 23 September 2023, 3:00 pm – 4:30 pm
Session 3 (online): Sunday 24 September 2023, 1:00 pm – 2:30 pm
Session 4 (online): Sunday 24 September 2023, 3:00 pm – 4:30 pm
State Library Victoria, 328 Swanston Street, Melbourne VIC 3000.
Free | Register your interest here

Save Trove!

Little of my work would exist without Trove, the online archive that provides free access to a huge range of resources, but funding is set to expire in July 2023.

Please sign this petition to fully fund Trove so we can continue our conversations with the past. The petition closes midnight 22 Feb.

A young shirtless Chinese boxer, looking straight into the camera.
Chinese boxer. Photo: Sam Hood, Sydney, August 1934.

n-SCRIBE 15 open for submissions

Dr Maddee Clark and I are editing n-SCRIBE 15, the City of Darebin’s annual lit mag, and we’re taking submissions from any writers and artists who live, work or study in Darebin. Send in your best fiction, non-fiction, poetry, memoir and artwork before 6 October 2021. Published contributors will receive $100. All the info here.

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Binder full of spreadsheets

Last year I started a little spreadsheet called Critical Mass to help culture editors connect with a wider range of critics. It’s now got over 140 critics listed and personally I use it all the time to recommend people for different gigs. It’s also spawned a couple of other lists:

Diversity in Food Media Australia (DIFMA) recently launched a database for food writers, recipe testers, stylists, photographers and other creators. Find out more or add yourself here.

The First Nations and People of Colour in Publishing network has also created a database of freelancers in publishing. It includes editors, designers, sensitivity readers, translators and proofreaders (but not writers).

There are so many resources available if you’re looking to work with underrepresented writers, so there’s really no excuse!

Editorial mentorship | Djed Press

Applications are now open for Djed Press’s editorial mentorship, a 10-week crash course on editing and publishing aimed at training an aspiring editor of colour.

You get one-on-one training with industry professionals (including me, Evelyn Araluen, Khalid Warsame, Adolfo Aranjuez, Dr. Tresa LeClerc, Marisa Wikramanayake and Djed Press founder and editorial director Hella Ibrahim), paid editing experience, and a lot of other material resources and support. I’ll be delivering the non-fiction editing intensives in week 5 (editing news, commentary, and criticism) and week 6 (editing narrative non-fiction, memoir and personal essays).

You don’t need to have any editing experience but you do need to be keen, based in Australia, at least 18 years old, and (obviously) a person of colour. Full details of the mentorship here. Applications close Monday 29 March 2021.

History is how we got here | Maribyrnong Community Centre

Two friends, wearing face masks, in an industrial landscape with a river and bridge behind them.

Liz and I are running a short course at Maribyrnong Community Centre! Best of all, it’s free for participants.

Over four fortnightly workshops, develop research and storytelling skills with community historians Liz Crash and Jinghua Qian (co-creators of Underfoot, a multimedia project uncovering Footscray’s history). Participants will learn how to write, produce and share their own stories, and contribute to a visual presentation displayed at the centre. This hands-on workshop series is open to participants of all ages and skill levels. Please note: participants will need to attend all four sessions.

Thu 18 Mar, 1 Apr, 15 Apr, 29 Apr 2021
2 pm to 4 pm
Maribyrnong Community Centre
9 Randall St, Maribyrnong, Victoria 3032
free | booking required

Arts writing mentorship | Sangam

Are you a South Asian arts writer living in Victoria? Sangam: Performing Arts Festival of South Asia and Diaspora has put together this pretty incredible paid mentorship. You get:

  • a workshop with me and Sonia Nair on 6 Feb 2021
  • support to write a response to a work or works at Sangam 2021
  • assistance securing a publication outcome with Sangam’s publishing partners, Peril Magazine and South Asian Today
  • $300 participant fee

EOIs close this Fri 15 Jan so apply now! And follow Sangam on Facebook or Instagram for more info about the festival. The full program will be released 17 Jan and the festival takes place 20 Feb to 13 Mar at Abbotsford Convent, the Drum Theatre, Dancehouse Melbourne and Bunjil Place.

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