‘The novel toys with the frame of a feminist revenge fantasy but Yannie makes an atypical heroine. Her rage is not sexy or witty or glamorous. It’s curdled resentment, sour and hard, obsessive and cracked.’
If you read one thing about me, let it be this interview in Liminal magazine. Thanks Maddee Clark for untangling a decade of my work – from poetry to journalism and beyond – and Viet-My Bui for the beaut illustrations.
For Overland, I wrote about how I’m over being the only one in the room, or trying to change things from the inside – and how our media regulations are broken when it’s easier to publish something racist than to call it racist.
My Meanjin piece from the Summer 2019 issue is now online if you’re interested. It’s a review of The Chinawoman, a book about a white woman sex worker who was murdered in 1856 Melbourne, and it’s also a reflection on Chinese-Australian history, Aboriginal deaths in custody today, who is worthy of protection, who is disposable, and how that’s shifted.