Workshop series: The Drop-In

Solicited advice for trans & gender diverse folks starting out in the creative industries.

Illustration of a cluttered bedroom with text (as below) on an easel.
Poster art: Dawn Iris Dangkomen.

All through May 2022, I’m running five online workshops for trans/nonbinary/gender diverse folks on starting out in the creative industries, featuring an all-star line up:

  • Sun 8 May – dance – Raina Peterson (they/them) – book
  • Tue 10 May – writing/editing – Maddee Clark (he/him) – book
  • Tue 17 May – media – Jinghua Qian (ey/em) – book
  • Tue 24 May – music – June Jones (she/her) – book
  • Tue 31 May – comedy – Cassie Workman (she/her) – book

They’re all free, you can join from anywhere in the world, and you can come to as few or as many as you like. More info at the booking links above. Can’t wait!

n-SCRIBE 15

Hot off the press! n-SCRIBE 15 is an anthology of 40 works by Darebin writers and artists (including cover artist Tama Sharman) that you can pick up in Darebin libraries, cafes and bookstores for free.

n-SCRIBE 15, published 24 February 2022. Cover art: Tama Sharman.
Continue reading “n-SCRIBE 15”

Interview #198: Lian Low | Liminal

I don’t see a divide between literary and genre. Writing spec fic and horror connects me to a sense of who I am, my roots and psyche where the world of the real and the world of the unreal isn’t so binary.

Lian Low

Lian Low is a writer and a former editor-in-chief of Peril. I interviewed her for Liminal, mining her insights on the queer, the monstrous, and the last thirty years of Asian Australian arts and culture.

Illustration by Viet-My Bui.

Interview #192: Sab D’Souza | Liminal

But essentially space is also land. I think that’s where I contest this differentiation between ‘IRL and URL’ digital and physical space. They aren’t separate. There’s no third space that we occupy online. Our government dictates how we access digital spaces and connections, and infrastructures are imbued by the people who made them.

Sab D’Souza


I loved talking to artist Sab D’Souza about feelings and the internet for the Liminal Magazine x Hyphenated Biennial series. Read it here.

Sab_3.jpg
Illustration by Lily Nie.

‘All clothes are handmade’: the migrant workers behind Australian fashion | The Guardian

For The Guardian, I wrote about the migrant workers behind the ‘made in Australia’ label and how their winning campaign for equal rights might be instructive for other gig economy workers today.

Stories of Vietnamese garment workers in Australia
An excerpt from Emma Do and Kim Lam’s graphic narrative, Working From Home, or may ở nhà.

I talked to Emma Do and Kim Lam, the writer and illustrator of Working From Home, a graphic narrative about Vietnamese outworkers in the garment industry, and Nguyet Nguyen and Beth McPherson, veteran manufacturing workers and organisers in the textile, clothing and footwear union.

Chinese indie’s dilemma | ABC TV

Is indie music in China growing up or selling out? My story for ABC TV on Wuhan’s punk history and what it means for underground scenes to land in the spotlight.

Ft Li Ke (Wild Records/Vox Livehouse), Krish Raghav (comic artist, Chaoyang Trap House), SMZB, Shii, Hualun, Re-TROS, Bohan Phoenix, Wutiaoren, and a flash of the cringe anti-Blackness of Higher Brothers because we have to talk about that.

Screenshot of video with Jinghua standing in a laneway papered with gig posters. The headline says 'Before Covid, Wuhan was best known as the birthplace of China's punk music scene.'