Where two rivers meet | Willy Lit Fest

Join me, Tony Birch, Harry Saddler and Meyer Eidelson at Willy Lit Fest next week for a seaside chat about our fave rivers.

The confluence of the Yarra and Maribyrnong rivers is of great ecological, psychogeographical and cultural significanceโ€”in particular to the Woi Wurrung and Boonwurrung Peoples of the Kulin Nation. Take an armchair journey along the river with Harry Saddler (A Clear Flowing Yarra), Meyer Eidelson (Melbourne Dreaming), Tony Birch (Ghost River) and Jinghua Qian (Underfoot).

Where two rivers meet
Saturday 15 June 2024
1:30 pm to 2:30 pm
The Chamber, Williamstown Town Hall
104 Ferguson Street, Williamstown VIC 3016
Tickets from $20

Review: She and Her Pretty Friend by Danielle Scrimshaw

For The Saturday Paper, I reviewed She and Her Pretty Friend, an appealing and accessible history of queer womenโ€™s lives in Australia from roughly 1830 to 1980. There’s a lot I liked about it and a few things that bugged me too. As always, I can send a read link if you can’t access it through the paywall, just leave a comment.

Scrimshaw code-switches easily between the cautious register of the historian and the more colourful lexicon of chronically online queers, reading real events in relation to memes and fandom tropes such as โ€œoh my god, they were roommatesโ€ and โ€œbe gay, do crimeโ€. The effect is chatty and conspiratorial, like catching up with a friend who canโ€™t wait to tell you about what she just read, and itโ€™s endearing to witness her transparent disappointment when women treat each other badly or donโ€™t get the life we feel they deserve.

Australian Literature in the Shadow of the Colonial Patriarchy

I’m speaking at this conference next week hosted by ANU, and I’m really impressed with the program and how accessible it is: registration is free and every session is livestreamed.

Organised by Evelyn Araluen, Julieanne Lamond and Monique Rooney, the program features Melissa Lucashenko, Jackie Huggins, Jeanine Leane, Elizabeth Flynn, Natalie Harkin, and many more. Full program and registration here.

Australian Literature in the Shadow of theย Colonial Patriarchy
Monday 24 October & Tuesday 25 October
ANU Canberra and online via Zoom
Free registration

As Beautiful As Any Other | The Saturday Paper

I reviewed Kaya Wilson’s memoir, As Beautiful As Any Other for The Saturday Paper. Really appreciated having the space to think deeply about this book and the transition memoir as a growing genre.

‘Trans people are under immense pressure to present a coherent and palatable origin story that helps cis people make sense of us โ€“ even when we are not seeking medical treatment, we are treated by laypeople as if presenting to them for diagnosis. We are supposed to be intelligent, untroubled, sympathetic and reassuring.’

The Saturday Paper book review graphic showing the cover of Kaya Wilson's As Beautiful As Any Other

Antipodean China | InDaily & Writers SA

Plenty of ink and pixels have been spilled over the fraught relationship between Australia and China lately, so Nicholas Jose and Benjamin Maddenโ€™s anthology,ย Antipodean China: Reflections on Literary Exchange, would appear to be a timely intervention in a conversation that is rife with misreadings and illiteracy. Read my review in InDaily, part of Writers SA’s review series.

Cover of Antipodean China showing author names and an red papercut map-like image by John Young

Eating with My Mouth Open | The Saturday Paper

I grew up thinking there were seven fundamental flavours: suฤn, tiรกn, kว”, lร , xiรกn, xiฤn, mรก. The first five translate easily โ€“ sour, sweet, bitter, hot, salty โ€“ but the other two donโ€™t own a home on the English tongue. It was a shock to realise that something as material as flavour could be coloured and even erased by language. But eating has many dimensions beyond what happens in your mouth, as Sam van Zweden chronicles in this thoughtful debut, Eating with My Mouth Open.

Eating with My Mouth Open | The Saturday Paper

Walking away, backwards | Feminist Writers Festival

Edit: Sadly Feminist Writers Festival has shut down. Here’s an archive of my article.


As an AFAB nonbinary person, many feminist and womenโ€™s spaces welcome me โ€“ but often that welcome is itself a form of trans erasure, an insistence on seeing us as the genders we were assigned. I wrote about my uncomfortable relationship with feminist literary spaces for Feminist Writers Festival.

Image with Feminist Writers Festival logo and pullquote 'I know the hospitality I receive is frequently also a form of trans erasure - an insistence on seeing us as the genders we were assigned. - Jinghua Qian'

‘Iโ€™m pretty accustomed to not feeling at home anywhere โ€“ this is often a good thing, a productive tension. The can of worms fertilises the soil. But whether itโ€™s Feminist Writers Festival, Facebook writersโ€™ groups, or other feminist literary initiatives like the Stella Prize, I think itโ€™s important to remember that you canโ€™t simply tweak the category of woman to accommodate nonbinary people. Nonbinary disturbs the foundations of binary gender because itโ€™s supposed to. Itโ€™s intentionally an interruption, a question as well as an identity.’

Walking away, backwards; or, woman-lite in women’s lit

Jinghua Qian, ‘Walking away, backwards; or woman-lite in womenโ€™s lit’, Feminist Writers Festival, 20 November 2020. Edited by Cher Tan.


When I got asked to write something for Feminist Writers Festival, I started to say no. I typed up a new version of the response Iโ€™ve sent so many times that I should probably just save it as a template: Thanks for thinking of me! I really appreciate the invitation, but at present I feel itโ€™s not my place as not-a-woman to take this platformโ€ฆ

But Cher and I chatted a bit more, and I came around to the idea that perhaps this conversation is worth having in public, especially in a feminist literary space.

*

Leaving womanhood reminds me of the apologetic way I exited the church โ€“ looking to the altar, sidestepping, genuflecting before turning my back on the cross. I used to be a woman and a Catholic, and it seems that until I commit to a new god or gender, Iโ€™ll forever remain a lapsed Catholic and womanish. Woman-lite.

In early 2015, I wrote this poem while on the cusp of leaving:

leaving traces

being a woman costs too much
were it a job Iโ€™d have quit

but thatโ€™s not it, as such
it feels more like kin
like folks I didnโ€™t choose
but begrudgingly belong to

other women make it
almost worthwhile

but thatโ€™s not it as such,
it feels more like a place
that follows me as I leave

like I donโ€™t really speak the language anymore
but somehow it still shows on my face

All these years of wearing
elsewhere in my eyes
can I afford another layer
of answering why I am here
where did I come from
what is my real name

I am solid until Iโ€™m touched
then diaspora
       one thousand pieces
of wandering
                       my face already
conveys
                                                       too much

*

Whenever Iโ€™m asked to speak or write or perform for a feminist event, I see myself go out of body again. For a split second, I slip into a parallel life of being a woman and doing woman things. I mean, I donโ€™t know what โ€˜woman thingsโ€™ are โ€“ maybe I never did โ€“ and probably binary gender is a prison even for cis people. Of course I donโ€™t think that feminism is only for women, or that feminist spaces should necessarily be womenโ€™s spaces. But I also know that Iโ€™m accepted by the sisterhood because Iโ€™m seen as woman-lite. Close enough.

Iโ€™m not a woman and Iโ€™m not a man. Genderfluid, if Iโ€™m forced to answer, or nonbinary, though that doesnโ€™t always fit. Itโ€™s okay if you donโ€™t know what that means, because sometimes I donโ€™t either. Whenever Iโ€™m asked to identify with a gender, I offer a string of finicky metaphors.

I grew up as a girl. Iโ€™ve been referring to myself with gender-neutral pronouns โ€“ inconsistently โ€“ for the last fifteen years, even when I was cis. I stopped understanding myself as a cis woman around five years ago, but the only thing I did to โ€˜transitionโ€™ was to revert to my birth name. I am still interpreted and interpellated as a woman most of the time. I am not trans enough for most trans people. And I hated writing this paragraph: I hate describing myself in this naked and banal way, but I donโ€™t think any of this will make sense otherwise.

There were two other things I did as part of my โ€˜transitionโ€™ (although that feels like far too momentous a word to describe these reversible administrative tasks). One of them was to ask my friends to refer to me with gender-neutral pronouns. The other was to leave all the womenโ€™s groups I was in โ€“ mostly networks for women of colour. Even when I was cis, I was never white, so I was never all that comfortable in most Australian feminist spaces to begin with.

The following year, I left the continent. By the time I came back to Australia three years later, a lot of these womenโ€™s groups had shifted their remit to accepting various configurations of โ€˜woman and otherโ€™: women and nonbinary folk, for instance, or everyone but cis men. Effectively, these groups feel like women 2.0 or women* or women+. Women โ€“ which is to say cis women โ€“ and people with footnotes. Women plus women-lite. After all, these are feminist spaces converted from (cis-centric) womenโ€™s spaces, and they show their bones.

I joined several groups for writers and editors that still have names like โ€˜Binders Full of Womenโ€™, though their descriptions specify that genderqueer and nonbinary people are included too. Most of the genderqueer and nonbinary people in these spaces seem to be people who were assigned female at birth (AFAB), like me.

Feminist spaces typically welcome AFAB nonbinary people while freezing out nonbinary people who were assigned male at birth (AMAB). Often, there are more AFAB non-women in womenโ€™s spaces than there are trans women. As a nonbinary person who is not a woman yet easily accepted as one, my presence in feminist and womenโ€™s spaces is often framed as part of a positive shift towards greater trans inclusion: oh, trans people, we have those! But I know the hospitality I receive is frequently also a form of trans erasure โ€“ an insistence on seeing us as the genders we were assigned. The overrepresentation of AFAB non-women in these spaces can reinforce the exclusion and marginalisation of AMAB people.

Everyone has their own interpretation of this. Iโ€™m not necessarily asking AFAB nonbinary people to withdraw from feminist spaces. Neither am I asking all womenโ€™s groups to include nonbinary people. Itโ€™s okay to have things that are just for women, as well as things for not-men, as well as things for everyone who wants to see the end of patriarchy. I get that weโ€™re all still figuring out how to do feminism beyond binary gender โ€“ itโ€™s an ongoing process of collective political imagination alongside individual calibration. But Iโ€™m always reassessing myself in relation to gendered spaces: Is this too woman for me? Am I going to be useful here? Personally, Iโ€™m also pretty accustomed to not feeling at home anywhere โ€“ and this is often a good thing, a productive tension. The can of worms fertilises the soil.

But whether itโ€™s Feminist Writers Festival, Facebook writersโ€™ groups, or other feminist literary initiatives like the Stella Prize, I think itโ€™s important to remember that you canโ€™t simply tweak the category of woman to accommodate nonbinary people. Nonbinary disturbs the foundations of binary gender because itโ€™s supposed to. Itโ€™s intentionally an interruption, a question as well as an identity.

Some nonbinary people would prefer to depoliticise and domesticate it โ€“ to say that my being nonbinary doesnโ€™t affect you and your gender, and that itโ€™s just another identity in a sea of gender diversity, that itโ€™s not an ideology. Thatโ€™s not totally true for me. I do think my gender should make a difference in how you think about yours and vice versa. Gender is relational and mine isnโ€™t constituted in a vacuum. Iโ€™m not sorry for making this complicated. Ask me to do a feminist thing, and I have to ask: What is the relationship between feminism and women? What is a woman?