In Australia, Pro-Palestine writers are defying censorship | Jacobin

Omar Sakr and I spoke to Jacobin’s Chris Dite about State Library Victoria, the escalating persecution of pro-Palestine workers in arts and media, and how workers across industries are joining together to fight back.

Genocide is impolite to talk about but not to enact. Safety means Zionists’ feelings and not Palestinians’ lives.

Like many of us, I’ve felt wary of drawing focus from the daily atrocities in Palestine to comparatively petty art world disputes here. I worry the story becomes one of cultural contestation instead of genocide.

But Israel’s genocide relies upon misinformation, censorship & propaganda. Misinformation and media bias have been critical in engineering impunity. I think the Library’s framing of ‘child and cultural safety’ is important, and dangerous, and deliberate.

For six months we have seen Israeli propaganda deny that Palestinian children are children. Think of Deborah Conway on ABC Radio National when asked about all the children killed: ‘Well it depends what you call kids.’ So I think this perversion of ‘child and cultural safety’ needs to be directly challenged.

Not For Broadcast | The Saturday Paper

‘[Evading censorship] felt a lot like a game, actually – a futile yet addictive game that made your heart race as you tried to jump from story to story, ducking and weaving, squeezing as much as you could through an ever-shrinking space.’

For The Saturday Paper’s culture section, I wrote about reliving the anxiety and adrenaline of working as a journalist in China while playing the dystopian newsroom simulation game Not for Broadcast. Read it here.