Hard Read

My audio piece for Powerhouse Museum’s Oscillations project is finally out! It’s a chewy little story about sino/trans inscrutability, visibility and representation. Massive thanks to sound and story wizard Jon Tjhia, and everyone whose voices and ideas are part of this work: Atong Atem, Oliver Reeson, Kate Bagnall and Tim Sherratt, and my glorious chorus. So proud of this. Listen here.

What does it cost to be visible? Chinese and trans people shift in and out of focus in Australia’s historical records – appearing and disappearing, code-switching, oscillating. Through the lens of turn-of-the-century portrait photography, Jinghua Qian looks at the privilege and burden of representation and the luminous power of inscrutability.

Senator Eric Abetz’s controversial questions about loyalty rattle Chinese communities in Australia | ABC News

‘I can condemn him all I like … Xi Jinping isn’t sitting around wondering what a queer performance poet in Footscray thinks of his policies.’

I was on ABC today commenting on Chinese Australians being called to condemn the CCP. I talked about conditional citizenship as a form of racial profiling. Read the story by Bang Xiao and Stephen Dziedzic here.

Underfoot: underground histories from Footscray 3011

Finally it’s launch day!

Underfoot presents four virtual audio tours through Footscray’s past. Liz and I bring an intimate lens to local history as we wander the streets and the archives looking for people like us: queers, migrants, radicals and artists. There are some big conversations about capitalism, nationalism and settler nativism, as well as some finely aged gossip.

Each track comes with a map, transcript, photos and notes so you can either explore these places in real life (observing social distancing!) or just enjoy the stories while staying home. You can even dive into some historical research yourself if you’re so inclined.

Here it is: Underfoot.

Playlist: Music of the Sinosphere

My second playlist for Peril magazine’s You Don’t Sound Asian project explores music from around the Sinosphere: China, Hong Kong, Taiwan and beyond.

‘Unlike the pandemic, the playlist doesn’t have a case definition or an epicentre. It’s just an endless filament of sound, the connections between the tracks both tenuous and elemental. It’s as open-ended as Chineseness could be.’

Have a listen – and check out my other playlist, Teacup in a Storm, as well.