Non-binary finery: can genderless fashion move beyond a label? | The Guardian

‘Genderless’ has become a buzzword in fashion, but what does it actually mean, besides brands being able to double their market for every item?

For The Guardian, I talked to trans and nonbinary designers and retailers about genderless branding, pinkwashing and what labels could do instead of whacking a rainbow on it.

‘I don’t think we should take the gender out of fashion’, says Rae Hill, designer at Origami Customs. ‘Instead of “genderless”, there needs to be more of a fluidity of gender. The gender of a piece of clothing is whatever gender you feel when you wear it, and not that you have to fit into the gender of that piece.’

Photo: Origami Customs.

‘All clothes are handmade’: the migrant workers behind Australian fashion | The Guardian

For The Guardian, I wrote about the migrant workers behind the ‘made in Australia’ label and how their winning campaign for equal rights might be instructive for other gig economy workers today.

Stories of Vietnamese garment workers in Australia
An excerpt from Emma Do and Kim Lam’s graphic narrative, Working From Home, or may ở nhà.

I talked to Emma Do and Kim Lam, the writer and illustrator of Working From Home, a graphic narrative about Vietnamese outworkers in the garment industry, and Nguyet Nguyen and Beth McPherson, veteran manufacturing workers and organisers in the textile, clothing and footwear union.

Ellie & Abbie (& Ellie’s Dead Aunt) film review | The Guardian

For The Guardian, I reviewed Monica Zanetti’s teen romcom, Ellie & Abbie (& Ellie’s Dead Aunt), a pretty charming story of queer love – romantic, familial, and intergenerational.

‘Zanetti cleverly plays with the idea that our queer predecessors paved the way for how we live now, but as individuals can be just as bumbling and out of touch as anyone else when it comes to dealing with teenagers. We might idolise OWLs (“older wiser lesbians”) but they’re only flightless, bug-eyed humans after all.’

Sophie Hawkshaw and Zoe Terakes in Ellie & Abbie (& Ellie’s Dead Aunt). Photograph: Nixco