writer & thinker
For The Guardian, I spoke to Venice Biennale artist Yuki Kihara about fa’afafine community, climate change, and resisting the image of the lone genius in her show Paradise Camp.
A fun review from me in The Guardian today about Baking Impossible, a delightful Netflix series that shows you can have your cake and drive it through an obstacle course too. It’s also a sweet celebration of diverse talent in STEM and the culinary arts.
For The Guardian, I wrote about the migrant workers behind the ‘made in Australia’ label and how their winning campaign for equal rights might be instructive for other gig economy workers today.
I talked to Emma Do and Kim Lam, the writer and illustrator of Working From Home, a graphic narrative about Vietnamese outworkers in the garment industry, and Nguyet Nguyen and Beth McPherson, veteran manufacturing workers and organisers in the textile, clothing and footwear union.
For The Guardian, I reviewed Monica Zanetti’s teen romcom, Ellie & Abbie (& Ellie’s Dead Aunt), a pretty charming story of queer love – romantic, familial, and intergenerational.
‘Zanetti cleverly plays with the idea that our queer predecessors paved the way for how we live now, but as individuals can be just as bumbling and out of touch as anyone else when it comes to dealing with teenagers. We might idolise OWLs (“older wiser lesbians”) but they’re only flightless, bug-eyed humans after all.’
I wrote a quick opinion piece for The Guardian about going on the dole and navigating the confusing, punitive mutual obligations system. Shout out to the Australian Unemployed Workers Union, who have been a huge support in this time and one of few groups consistently advocating to raise the rate and suspend mutual obligations.
Ann M Martin’s series was a staple of my childhood and luckily the Netflix reboot is excellent. I wrote about it for The Guardian.
‘For First Nations women, the apocalypse was already here. It’s part of the inheritance.’
For The Guardian, I wrote a preview article on Dear Australia, Playwriting Australia’s monologue marathon which runs 2-5 July 2020, and how it speaks to a hunger for rupture.
Jinghua Qian 