Hard Read

My audio piece for Powerhouse Museum’s Oscillations project is finally out! It’s a chewy little story about sino/trans inscrutability, visibility and representation. Massive thanks to sound and story wizard Jon Tjhia, and everyone whose voices and ideas are part of this work: Atong Atem, Oliver Reeson, Kate Bagnall and Tim Sherratt, and my glorious chorus. So proud of this. Listen here.

What does it cost to be visible? Chinese and trans people shift in and out of focus in Australia’s historical records – appearing and disappearing, code-switching, oscillating. Through the lens of turn-of-the-century portrait photography, Jinghua Qian looks at the privilege and burden of representation and the luminous power of inscrutability.

Genderfeels in nomads’ land

In urban, western settings, I’m usually read as a woman, albeit a queer sort. In the country, I more often pass as a boy. There’s a tangy pleasure in that, in being called sir and shuaige and brother.

As a genderfluid, nonbinary person, being clocked as one thing in the morning and another in the afternoon feels like the closest I will get to recognition. This havoc can be a delight, but also a complication. A liability.

Jinghua Qian, Genderfeels in nomads’ land, Them

My essay on traveling through Central Asia as a nonbinary person is out today in Them, edited by none other than Meredith Talusan, a writer I’ve been following for years. I’m so thrilled with this one – go read it now!