On Thursday, I’ll be chatting about online and offline communities with Pauline Vetuna and Huna Amweero in a live event hosted by Areej Nur. It’s part of BLEED, a new festival from Arts House and Campbelltown Arts Centre. The talk is via Zoom so you can attend from anywhere in the world but you need to register.
Underfoot presents four virtual audio tours through Footscray’s past. Liz and I bring an intimate lens to local history as we wander the streets and the archives looking for people like us: queers, migrants, radicals and artists. There are some big conversations about capitalism, nationalism and settler nativism, as well as some finely aged gossip.
Each track comes with a map, transcript, photos and notes so you can either explore these places in real life (observing social distancing!) or just enjoy the stories while staying home. You can even dive into some historical research yourself if you’re so inclined.
‘Unlike the pandemic, the playlist doesn’t have a case definition or an epicentre. It’s just an endless filament of sound, the connections between the tracks both tenuous and elemental. It’s as open-ended as Chineseness could be.’
Hopefully it’s a useful resource for artists, venues, publicists and commissioning editors to access a wider pool of critics. You can view the spreadsheet here. Please share with all your critically-minded mates.
As queer culture becomes more and more a global phenomena, for both queer and non-queer communities, what does being queer really mean? Is being queer simply what you are or what you do? This discussion will explore what might be lost or gained through such shifts in meaning and how queer histories inform queer futures holistically.
Jinghua Qian, Isabella Whāwhai Waru and Nunzio Madden in conversation with Quinn Eades. Part of the public program attached to the performance season of Dancing Qweens.