‘I don’t think we should take the gender out of fashion’, says Rae Hill, designer at Origami Customs. ‘Instead of “genderless”, there needs to be more of a fluidity of gender. The gender of a piece of clothing is whatever gender you feel when you wear it, and not that you have to fit into the gender of that piece.’
A little while ago I spoke to New York Times contributor Brian Ng about airlines failing nonbinary passengers in their booking systems while pursuing the pink dollar. Read or listen to the story below.
Brian Ng investigates the sluggishness of airlines in adopting options for nonbinary travellers in the gender and title fields of their booking engines, despite legal recognition in many countries. New York Times, 22 June 2022.
Big thanks to Brian for pursuing this story, and shoutout also to photographer Asanka Brendon Ratnayake – I am so awkward in front of a camera but he really put me at ease and we had a nice chat about NYT Australia and journalism in Asia, Australia and the US.
Yuki Kihara, Fonofono o le nuanua: Patches of the rainbow (After Gauguin), 2020.
For The Guardian, I spoke to Venice Biennale artist Yuki Kihara about fa’afafine community, climate change, and resisting the image of the lone genius in her show Paradise Camp.
Solicited advice for trans & gender diverse folks starting out in the creative industries.
Poster art: Dawn Iris Dangkomen.
All through May 2022, I’m running five online workshops for trans/nonbinary/gender diverse folks on starting out in the creative industries, featuring an all-star line up:
Sun 8 May – dance – Raina Peterson (they/them) – book
Tue 10 May – writing/editing – Maddee Clark (he/him) – book
Tue 31 May – comedy – Cassie Workman (she/her) – book
They’re all free, you can join from anywhere in the world, and you can come to as few or as many as you like. More info at the booking links above. Can’t wait!
The Canadian series Sort Of is a wry, thoughtful take on family and gendered labour with one of the best nonbinary characters I’ve seen on TV. My review here.
The article is a follow-up to my TV story for China Tonight (video below). You can also watch the full 30-min episode on iview, which includes my chat with Stan Grant about the issue, as well as other stories from the China Tonight team.
But essentially space is also land. I think that’s where I contest this differentiation between ‘IRL and URL’ digital and physical space. They aren’t separate. There’s no third space that we occupy online. Our government dictates how we access digital spaces and connections, and infrastructures are imbued by the people who made them.
Sab D’Souza
I loved talking to artist Sab D’Souza about feelings and the internet for the Liminal Magazine x Hyphenated Biennial series. Read it here.
I reviewed Kaya Wilson’s memoir, As Beautiful As Any Other for The Saturday Paper. Really appreciated having the space to think deeply about this book and the transition memoir as a growing genre.
‘Trans people are under immense pressure to present a coherent and palatable origin story that helps cis people make sense of us – even when we are not seeking medical treatment, we are treated by laypeople as if presenting to them for diagnosis. We are supposed to be intelligent, untroubled, sympathetic and reassuring.’
You can listen to my essay on the politics of changing my name here via Soundcloud. Kim Cheng Boey’s poem for Silent Dialogue is also available as audio, or you can order a print copy of the Silent Dialogue book here featuring Maria Tumarkin, Elizabeth Tan, Julie Koh and many more.