Walking away, backwards | Feminist Writers Festival

Edit: Sadly Feminist Writers Festival has shut down. Here’s an archive of my article.


As an AFAB nonbinary person, many feminist and women’s spaces welcome me – but often that welcome is itself a form of trans erasure, an insistence on seeing us as the genders we were assigned. I wrote about my uncomfortable relationship with feminist literary spaces for Feminist Writers Festival.

Image with Feminist Writers Festival logo and pullquote 'I know the hospitality I receive is frequently also a form of trans erasure - an insistence on seeing us as the genders we were assigned. - Jinghua Qian'

‘I’m pretty accustomed to not feeling at home anywhere – this is often a good thing, a productive tension. The can of worms fertilises the soil. But whether it’s Feminist Writers Festival, Facebook writers’ groups, or other feminist literary initiatives like the Stella Prize, I think it’s important to remember that you can’t simply tweak the category of woman to accommodate nonbinary people. Nonbinary disturbs the foundations of binary gender because it’s supposed to. It’s intentionally an interruption, a question as well as an identity.’

Walking away, backwards; or, woman-lite in women’s lit

Jinghua Qian, ‘Walking away, backwards; or woman-lite in women’s lit’, Feminist Writers Festival, 20 November 2020. Edited by Cher Tan.


When I got asked to write something for Feminist Writers Festival, I started to say no. I typed up a new version of the response I’ve sent so many times that I should probably just save it as a template: Thanks for thinking of me! I really appreciate the invitation, but at present I feel it’s not my place as not-a-woman to take this platform…

But Cher and I chatted a bit more, and I came around to the idea that perhaps this conversation is worth having in public, especially in a feminist literary space.

*

Leaving womanhood reminds me of the apologetic way I exited the church – looking to the altar, sidestepping, genuflecting before turning my back on the cross. I used to be a woman and a Catholic, and it seems that until I commit to a new god or gender, I’ll forever remain a lapsed Catholic and womanish. Woman-lite.

In early 2015, I wrote this poem while on the cusp of leaving:

leaving traces

being a woman costs too much
were it a job I’d have quit

but that’s not it, as such
it feels more like kin
like folks I didn’t choose
but begrudgingly belong to

other women make it
almost worthwhile

but that’s not it as such,
it feels more like a place
that follows me as I leave

like I don’t really speak the language anymore
but somehow it still shows on my face

All these years of wearing
elsewhere in my eyes
can I afford another layer
of answering why I am here
where did I come from
what is my real name

I am solid until I’m touched
then diaspora
       one thousand pieces
of wandering
                       my face already
conveys
                                                       too much

*

Whenever I’m asked to speak or write or perform for a feminist event, I see myself go out of body again. For a split second, I slip into a parallel life of being a woman and doing woman things. I mean, I don’t know what ‘woman things’ are – maybe I never did – and probably binary gender is a prison even for cis people. Of course I don’t think that feminism is only for women, or that feminist spaces should necessarily be women’s spaces. But I also know that I’m accepted by the sisterhood because I’m seen as woman-lite. Close enough.

I’m not a woman and I’m not a man. Genderfluid, if I’m forced to answer, or nonbinary, though that doesn’t always fit. It’s okay if you don’t know what that means, because sometimes I don’t either. Whenever I’m asked to identify with a gender, I offer a string of finicky metaphors.

I grew up as a girl. I’ve been referring to myself with gender-neutral pronouns – inconsistently – for the last fifteen years, even when I was cis. I stopped understanding myself as a cis woman around five years ago, but the only thing I did to ‘transition’ was to revert to my birth name. I am still interpreted and interpellated as a woman most of the time. I am not trans enough for most trans people. And I hated writing this paragraph: I hate describing myself in this naked and banal way, but I don’t think any of this will make sense otherwise.

There were two other things I did as part of my ‘transition’ (although that feels like far too momentous a word to describe these reversible administrative tasks). One of them was to ask my friends to refer to me with gender-neutral pronouns. The other was to leave all the women’s groups I was in – mostly networks for women of colour. Even when I was cis, I was never white, so I was never all that comfortable in most Australian feminist spaces to begin with.

The following year, I left the continent. By the time I came back to Australia three years later, a lot of these women’s groups had shifted their remit to accepting various configurations of ‘woman and other’: women and nonbinary folk, for instance, or everyone but cis men. Effectively, these groups feel like women 2.0 or women* or women+. Women – which is to say cis women – and people with footnotes. Women plus women-lite. After all, these are feminist spaces converted from (cis-centric) women’s spaces, and they show their bones.

I joined several groups for writers and editors that still have names like ‘Binders Full of Women’, though their descriptions specify that genderqueer and nonbinary people are included too. Most of the genderqueer and nonbinary people in these spaces seem to be people who were assigned female at birth (AFAB), like me.

Feminist spaces typically welcome AFAB nonbinary people while freezing out nonbinary people who were assigned male at birth (AMAB). Often, there are more AFAB non-women in women’s spaces than there are trans women. As a nonbinary person who is not a woman yet easily accepted as one, my presence in feminist and women’s spaces is often framed as part of a positive shift towards greater trans inclusion: oh, trans people, we have those! But I know the hospitality I receive is frequently also a form of trans erasure – an insistence on seeing us as the genders we were assigned. The overrepresentation of AFAB non-women in these spaces can reinforce the exclusion and marginalisation of AMAB people.

Everyone has their own interpretation of this. I’m not necessarily asking AFAB nonbinary people to withdraw from feminist spaces. Neither am I asking all women’s groups to include nonbinary people. It’s okay to have things that are just for women, as well as things for not-men, as well as things for everyone who wants to see the end of patriarchy. I get that we’re all still figuring out how to do feminism beyond binary gender – it’s an ongoing process of collective political imagination alongside individual calibration. But I’m always reassessing myself in relation to gendered spaces: Is this too woman for me? Am I going to be useful here? Personally, I’m also pretty accustomed to not feeling at home anywhere – and this is often a good thing, a productive tension. The can of worms fertilises the soil.

But whether it’s Feminist Writers Festival, Facebook writers’ groups, or other feminist literary initiatives like the Stella Prize, I think it’s important to remember that you can’t simply tweak the category of woman to accommodate nonbinary people. Nonbinary disturbs the foundations of binary gender because it’s supposed to. It’s intentionally an interruption, a question as well as an identity.

Some nonbinary people would prefer to depoliticise and domesticate it – to say that my being nonbinary doesn’t affect you and your gender, and that it’s just another identity in a sea of gender diversity, that it’s not an ideology. That’s not totally true for me. I do think my gender should make a difference in how you think about yours and vice versa. Gender is relational and mine isn’t constituted in a vacuum. I’m not sorry for making this complicated. Ask me to do a feminist thing, and I have to ask: What is the relationship between feminism and women? What is a woman?

Genderfeels in nomads’ land

In urban, western settings, I’m usually read as a woman, albeit a queer sort. In the country, I more often pass as a boy. There’s a tangy pleasure in that, in being called sir and shuaige and brother.

As a genderfluid, nonbinary person, being clocked as one thing in the morning and another in the afternoon feels like the closest I will get to recognition. This havoc can be a delight, but also a complication. A liability.

Jinghua Qian, Genderfeels in nomads’ land, Them

My essay on traveling through Central Asia as a nonbinary person is out today in Them, edited by none other than Meredith Talusan, a writer I’ve been following for years. I’m so thrilled with this one – go read it now!

How coronogamy (coronavirus-induced monogamy) reshaped my sex life

Jinghua Qian, ‘How coronogamy (coronavirus-induced monogamy) has changed my sex life‘, MTV, 24 June 2020. Edited by Alice Griffin.


I’ve been polyamorous for nearly 20 years. Non-monogamy is all I’ve known, and normally I don’t like to define things in a hierarchy, with a primary partner and secondary partners. To me, part of the point of having open relationships is that you leave the paddock unfenced. Things go how they go.

But I live with my girlfriend and no one else, so once the lockdown started in Victoria, we found ourselves in social isolation together. At first, I found it confronting to be thrust into what felt like forced monogamy. ‘Coronogamy,’ I called it – coronavirus-induced monogamy.

Before lockdown, I was seeing a few people but all quite sporadically. I figured if I wasn’t even going to spend time with my fam, then it didn’t make sense to get together with relative strangers. My girlfriend has an ongoing lover who she normally sees pretty often but they also stopped meeting up in iso.

For sure, I missed the specific thrill of these encounters, of foreign bodies in orbit all fresh and keen. But it wasn’t just that. There have been other times in my life when I’ve happily been dating just one person, but it was never under the stricture of monogamy. This felt different and inorganic. Though ultimately, we decided ourselves that we wouldn’t see other people for a bit, I resented feeling like the state had steered me into precisely the kind of relationship hierarchy I’d spent so long trying to avoid.

There’s a lot of advice out there for people who are ‘opening up’ their relationship – not so much, it seems, for what to do if you’re ‘closing down’.

One of the reasons I had decided to be polyamorous as a precocious and overly online 15-year-old was because I felt my friendships weren’t less important, or even categorically different, from my romantic relationships. Monogamy seemed like a false and arbitrary way to classify attraction, intimacy and commitment. But now we’re asked to divvy our entire worlds into the essential and inessential. That’s fair but still uncomfortable.

I’ve been feverishly following news about the pandemic since January, reading story after tragic story, so I take the health precautions very seriously. I’m not in any doubt about the severity of this situation. But nonetheless, as a queer person of colour who relies on a lot of different people for care and support, I winced at how government responses reinforced the nuclear family as the primary organising unit of society. It made me think of that poster by Deborah Kelly and Tina Fiveash that depicts a retro family eating sandwiches: ‘Hey hetero, when they say family, they mean you!’ Very quickly, we saw how lockdown laws targeted communities that are already overpoliced while wealthy white neighbourhoods received few fines.

It feels very much like some ways of looking after each other are more acceptable than others. So that’s the awkward context in which I am effectively experiencing monogamy for the first time. There’s a lot of advice out there for people who are ‘opening up’ their relationship – not so much, it seems, for what to do if you’re ‘closing down’.

For me it was important to be conscious of how the lockdown was affecting my emotions and our dynamic. As well as having little contact with other people, isolation meant that my girlfriend and I were spending a lot more time together because she was working from home. I need hefty doses of solitude, both as a writer and just as a person, so I had to remember to set aside alone time. Organising mini-dates at home helped us be more deliberate about the time we were spending together and created a sense of occasion within the amorphous sludge of isolation.

There are definitely times where I’ve relied on a variety of lovers and others to anchor me to my body. That’s not possible now.

While time was disintegrating, space was also warped. Everywhere outside my flat seemed more or less equidistant, so I took that as a sign that I should put more effort into my neglected transnational friendships. I also started sexting friends and strangers, turning off the geolocator in apps because it didn’t matter anymore whether someone was in Manila or Milan.

I’m not really a sender of nudes (though I happily receive them) but I found a lot of pleasure and intrigue in text-based flirting. It felt like a wormhole into the way I used the internet when I was a teenager in the early 2000s – anonymous, disembodied, and intensely intimate. I’m often nostalgic for that kind of Livejournal-era sentimentality so that was really appealing. As a genderfluid person, I relished how cybersex let me build my body in words, and I discovered that the lockdown could be weaponised in all sorts of fun and kinky scenarios. It’s a good time for anyone who gets off on withholding.

But quarantine can also trigger its own special brand of dissociation and dysphoria. When everything is unreal and endlessly deferred, it’s all too easy to ghost on yourself. Some days I seem to just disappear. The boundary between my body and the internet is dissolving more with each day and despite this situation originating in a virus, it seems that if I stay in my room, there’s nothing that will force me to confront being flesh.

My friend and fellow polyam queer, the comedian Lisa-Skye, broke up with a lover of 7 years during the lockdown. “It’s a weird fucking thing because you can’t do that stuff, healthy or otherwise, that you might normally do,” she told me. “You can’t go on a few inconsequential dates or bang a random. You have to sit with the decision.”

There are definitely times where I’ve relied on a variety of lovers and others to anchor me to my body. That’s not possible now. The best and hardest part of this has been having all the time in the world to work out how to be my own primary.